Just a thought.
Is it me or do independents only come up with films that cross between the whimiscal, the strange and the artsy? It would be an over-generalisation but Garden State was weirdly nice and I Heart Huckabees was screwed up, cuckoo humor. I guess this is what you get when you don’t have capitalist hounds barking down on you; a very individualistic, philosophical and refreshing take on life. You might even argue that you have an auteur on your hands. But that’s not to say that Hollywood doesn’t breed auteurs; its just that they are so assimilated into the Hollywood formula they all just seem to be main-stream, mass-following blockbuster-churners.
Take for instance, Steven Spielberg. He does have his pet topics but does that make him an auteur? In a world where Hollywood and classical narrative doesn’t exist, I suppose he does qualify. But of course, being an autuer requires more then just a contextual obsession. Its all about visuals and motifs and themes and philosophy. And yet if his style is very much similar to the formulaic way movies are made, does this mean that his vision is merely a carbon copy of every other director in Hollywood?
And what’s to say that independant film makers, with their interesting take on common themes is not following every one else who is making movies with interesting takes on common themes? Making up stories and screwing around with film theory as a means to express oneself is not that "individualistic" because there are afterall so few rules to play around with, and if people do not understand whats the point? * They could be following an "arthouse" formula as opposed to classic Hollywood. If that is so, then what makes them more celebrated as "auteurs"? In fact, what makes Woody Allen a Hollywood director and Jim Jarmusch not?
The point is every one is so mixed up that you cant exactly label someone or something; you know, put them in the box. Influences are flying in all directions and with the rapid information exchange and growing fragmented film audiences, every one can claim to be an auteur (not everyone, at least grasp the basic concepts of film yes? Someone who doesnt know how to explain what he did cant possibly be a genius; its a fluke shot) In fact, I am inclined to believe that both Hollywood and Independants have auteuristic tendencies which are bordered by the confines of capitalism. Even cheem-ass arthouse directors go for the money once in awhile; people like WKW are lucky their style is widely accepted and understood by a ready audience.
Directors who start out labelled as arthouse directors have dipped their toes in the Hollywood pond; which does not make them traitors of the artform. Vice versa for hollywood directors. Lets not start seperating directors works into "Arthouse" or "Hollywood", just enjoy their body of work as it is. Let what they chose to do and not tell you who they are as visionaries. All this labelling just obscures the essence of filmmaking, which is about telling a story. There must be some reason why these directors still continue what they do; they tell stories in a way that engage people and talk about themes that people care about. Give them that much credit - they are what we would call in the actors’ world a "good" director.
* This is a whole new argument so we shall leave it for later; lets just base it on the assumption that movies are made to be watched